Studio Works is where the discipline stays and the subject changes. The same reductive eye that strips a flower to its essentials turns on the wider world — a coastline, a lighthouse, a harbor at slack tide — and does what it always does: cuts away everything unnecessary until only the boldest shapes and colors survive.

Currently, it leans hard into the coast — New England lighthouses, working boats, and quiet harbors — in hand-layered vinyl, reproduced as museum-quality giclée prints and released as original works. Travel is next. So is wherever the eye wanders after that.

Consider it the elegant, unbotanical cousin of the work you already love: quieter on language, no less certain of itself.

Not botanical. Not sorry.